Despoina’s Saga – A Story of Two Shores
Despoina’s
Saga – A Story of Two Shores
My dear friends and neighbors, come hear
my plea,
A
story I have that will set your heart free.
It happened in Varosha, a recent event,
With a message of pain and a
heart-melting intent.
My mother’s uncle, Koumis, and his
wife, Sophia,
lived with their seven children by the Golden
Sands.
Poverty a great weight, misery a deep wound,
they chose America, the dream in
their hands.
They
worked for the Americans, day and night,
their
lives a tireless rhythm of work and home.
Their
children, content with this new fortune,
slowly
forgot the land from which they had roamed.
Seventy
years passed; they never returned.
The
old ones, the children, the grandkids, none came home.
My
mother’s uncle and his wife, Sophia,
never
revisited Varosha, a city left alone.
Their
souls departed their bodies, worn and aged,
buried
on foreign soil, a final, distant rest.
So
many had left their land, a great migration,
many
died abroad, their passing unheard, their graves unblessed.
Then,
good news arrived across the sea:
My
mother’s uncle’s granddaughter would come for a visit.
Despoina, the first to return since the
long-ago leaving,
unaware
of the sadness, the sorrow, the grief she'd elicit.
She
came the day before yesterday, searching for roots,
for the place where her grandparents once took
their first breaths.
At
Ayia Zoni church, her spirit began to languish,
as
she confronted a past haunted by absence and death.
On
the seafront, at Glossa beach, her tears flowed,
her eyes swollen, her heart aching with a
profound pain.
Those rocks in the sea, called Kamila,
witnessed her shock,
she looked and looked, but words she could not
attain.
We
walked away from the beach toward Democratias Avenue,
to
the high school, a cradle of vanished education.
Two
Turkish flags veiled the students' old writings,
hiding
the slogans and myths of a lost generation.
Opposite,
the Greek Women's Lyceum stands,
a ghost of a cultural hub, a haven for the
young.
The
Public Garden behind it, now untended,
and
the GSE stadium, where the crowds’ cheers are unsung.
On this street, we used to hold parades,
with chariots and demonstrations filled with pride.
Now trees and
grass reclaim the broken asphalt,
and houses stand empty, their doors and windows
flung wide.
Houses and shops, all dilapidated and broken,
their gaping doors and shattered windows tell a grim
story.
Only a few
commercial signs remain on the cracked walls,
visible scars left by hatred and human discord's
fury.
At Evagorou Street, my own tears could not be held.
I remembered going for groceries at the market,
and the stores where we’d buy our school clothes,
the past was a wound, fresh in my heart, a painful
target.
“Despoina, look behind you, to the south,” I said.
“Your mother was raised in that house, on Doryphoros
Street.”
Before they
left, they moved to Artemis’ house,
your grandfather Koumis was a relative, a
blood-bond, a feat.
We moved on, toward Ayios Nicholas church,
to see Hadjihampi cinema and the Heraion’s forgotten
trace.
Across from the mosque, in front of the church,
was Zako’s shop, where your grandmother worked in
this place.
The shops in a row were all ransacked and looted,
their treasures taken to Turkey, a final, cruel
theft.
Not a pin, not a nail was left behind,
only the marks of decay, the ruts, and reptiles
left.
The banks, the cafes, the restaurants, the clubs,
stand abandoned, worn by the passage of time.
And their poor
owners, still here in spirit,
are worn by the bitter sadness of their country’s
crime.
As we returned, we passed the Boccaccio cafe,
with no seats to offer, just a hollow, empty shell.
We saw the slogans written on the walls, empty
words,
soap bubbles,
and myths that refuse to swell.
On Kennedy Avenue, she admired the abandoned hotels,
and wondered about the beauty the city held before.
Its great
mansions, its courtyards, its green orchards,
all gone now, a history that is no more.
As we departed, we spoke of our foolishness,
of how a poor man’s mind had led us to this fate.
Despite the profound sadness she felt,
Despoina was pleased she came, and was not too late.
She will tell her friends and family of all she saw.
She will tell her children how beautiful Cyprus is,
how sad it is to see Varosha, and the pain
that she endured, the hurt that her heart could not
dismiss.
She will tell her relatives in Astoria,
the history of Cyprus, and her own story, too.
She will share how beautiful Cyprus is, how lucky
she was to visit,
how Varosha
was before, and its current, desolate view.
Whoever she meets, she will urge them to visit,
to remember the land they left long ago,
to see the beauties of Cyprus, its seas and
mountains,
its streams and its pain, a truth they need to know.
Let them see how the Turks have treated the occupied
lands,
if they
wanted to make a vow to Apostle Andreas.
Let them find
the truth for themselves,
and not believe when others tell them fairy tales,
full of gas.
This, my friends, was the sad news they heard
abroad,
and also every one of you tonight.
I thank you
all for finding the time
to listen attentively to Despoina’s plight.
KVJ
Beautiful and interesting poem. I love it and worth reading. This poem is about the sadness of returning to an abandoned hometown of grandparents. Its the grief and sadness of returning to a place that is no longer home. Thank you for sharing
ReplyDeleteEste historia , se simboliza , que uno no debe olvidarce , de raices de donde vienes, ser humilde de corazon
ReplyDelete